Redefining contemporary culture through bold visual storytelling, color Language, radical art practices, and provocative creative space.

A person with short blond hair, wearing a loose blue Adidas sports shirt, a black corset, and a leopard print skirt, stands against a red background with their hand on their hip.
A person in a pinstripe suit with a mannequin head with exaggerated facial features, tongue sticking out, and stick sunglasses, set against a yellow and green background.
A collage featuring a black and white photo of a person's face with a bleached hair, wearing a hoodie, superimposed on a colorful illustration of a person with an orange suit, black pants, and green dots at the shoulders, standing against a blue back
Yellow background with repeated bold white text that reads "COLLECTIVE NONVIOLENCE".
Side-by-side comparison of two photos under the quote, 'It is time for a revolution of the mind.' The left photo shows a man with dark skin, wearing light-colored pants and a dark top, crossing arms, with a yellow circle around his face. The right ph

A COLORFUL CREATIVE HUB

BASED IN NYC.

Close-up portrait of a Black woman with glossy makeup and sparkling black hair against a bright yellow background, overlaid with the text “STUDIO TYWO.”
Close-up portrait of a Black woman with glittery makeup, voluminous curly hair, and bold white “STUDIO TYWON” text on a yellow background.
Close-up portrait of a Black woman with glittering makeup, glossy lips, and bold white “STUDIO TYVON” text.
Stylized portrait of a woman with voluminous black hair, red-tinted makeup, a yellow star over one eye, and bold white “STUDIO TYWON” text.
Stylized portrait of a person with voluminous black hair, red-tinted makeup, and a yellow star covering one eye against a blue background, with bold white “STUDIO TYWO” text.
Stylized portrait of a Black woman with voluminous hair, a yellow star covering one eye, and bold white “STUDIO TYWON” text.
Pop-art repeating pattern of a hooded figure raising one arm against red circles on a yellow background, with large white “STUDIO TYWON” text.
Pop art pattern of a hooded figure raising one arm against red oval backgrounds, with white “STUDIO TYWOON” text on a yellow background
Pop-art pattern of a hooded figure raising one arm against red circles on a yellow background, with white "STUDIO TYWO" text.

LIVINg A COLORFUL LIFE.

LIVINg A COLORFUL LIFE.

LIVINg A COLORFUL LIFE.

LIVINg A COLORFUL LIFE.

LIVINg A COLORFUL LIFE.

LIVINg A COLORFUL LIFE.

LIVINg A COLORFUL LIFE.

Pop-art portrait of a woman with long dark hair, wearing sunglasses and a blue top, surrounded by colorful geometric shapes.

LIVINg A COLORFUL LIFE.

This is a colorful, RADICAL, playful, and spontaneous space that centers visibility, self-expression, and liberation.

A colorful pop art-style image of a young man with a serious expression, shirtless, in a crouching pose, repeated four times in different vibrant background colors of blue, green, red, and purple.

  • NEO-EXPRESSIONISM

  • ABSTRACTION

  • POP ART

  • SURREALISM

  • MULTIDISCIPLINARY PRACTICE | BLACK QUEER REBELLION | CULTURAL ARCHITECTURE | VISUAL CULTURE AND EXPRESSION.

A multidisciplinary cultural institution.

Merging multiple disciplines—including fashion, art, installation, performance, mixed media, film, the humanities, and cultural architecture—into a single space to cultivate collective consciousness.

ISSUE NO. 1 - THE CONTROL ISSUE.

Large red “HUMOR” text on a bright yellow background
White text reading “WWW.SPORTYBROWSER.COM” on a red background
Handwritten notes about control on lined paper, overlaid with large white “STOP OVERTHINKING” text on a yellow background
Green graphic with large yellow text reading, “I AM IN FORKING CONTROL OF THE NARRATIVE. I HAVE GREAT IDEAS.”
Colorful collage of a smiling face with a star-shaped blue hairstyle, geometric body, red wings, and the text “A COLORFUL RADICAL SPACE.”
Studio Tywun magazine cover labeled “The Control Issue” and “I Have Control,” featuring a person in a black pinstripe suit reclining on colorful geometric shapes.
Bright yellow poster reading “STUDIO TYWOH,” “THE CONTROL ISSUE,” and “UPLEVEL HAS CONTROL,” featuring a stylized portrait of a Black woman with voluminous hair, a yellow star over one eye, and a black sequined outfit.
High-contrast portrait of a person with long hair wearing a polka-dot top against a bright blue background
Stylized portrait of a Black woman with voluminous curly hair, dramatic makeup, and a black sequined outfit against a vivid pink background

“Each release is crafted with intention, quality, and disruption. This is an open platform with no walls.“No clichés. No boundaries. No pressure to conform. Just honesty. Just an expression. Just you.“

A black-and-white photo of a young man standing in front of a large architectural arch on a city street, with tall buildings and trees visible in the background. The top part of the image has a red banner with white text reading, "Taking over New Yor
A young person with bleached blonde hair standing outdoors near a streetlamp and a fence, carrying a handbag on their shoulder, with trees and foliage in the background.
A person stands in front of the Washington Monument with a large white building and skyscrapers in the background. The person appears to be holding an object.

ARTICLES.

Articles
being multidisciplinary can change how you see the world.
Ideas
being multidisciplinary can change how you see the world.
Ideas

Often misunderstood, multidisciplinary work is not about following a set path but about responding to creative instincts, merging different practices, and resisting easy categorization.

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Ideas
A New Chapter in Color and Consciousness.
Community
A New Chapter in Color and Consciousness.
Community

Expressionism Is Power — Ja’Mez Williams’ second solo exhibition in Montgomery, Alabama — explores racism, sexism, gender inequality, poverty, political instability, Black joy, and homophobia through 19 vibrant works. Rooted in personal legacy and influenced by Basquiat and Warhol, the show uses color as a language of self‑advocacy, solidarity, and collective consciousness. Closing on July 30, 2026, the exhibition honors his father’s enduring spirit while calling for a human‑race revolution, community, and empowerment.

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Community
“I AM NOT HERE”: VISIBILITY, ABSENCE, AND THE POLITICS OF BEING SEEN.
Criticism
“I AM NOT HERE”: VISIBILITY, ABSENCE, AND THE POLITICS OF BEING SEEN.
Criticism

"I Am Not Here”: Visibility, Absence, and The Politics of Being Seen explores the complex dynamics between presence and erasure in contemporary society.

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Criticism
READ MORE
READ MORE

STUDIO TYWON is not simply making art — IT IS shaping a movement built on visibility, freedom, and the radical act of being fully oneself.

Studio Tywon Store
Double Expression.
Quick View
Double Expression.
$655.00

Double Expression features two mirrored figures rendered in vivid magenta tones against a bright yellow field, their gestures echoing one another in a charged moment of symmetry. The doubled stance creates a sense of movement and emotional tension, as if expression is unfolding in two directions at once. Through bold color, repetition, and posture, the piece explores how identity performs, reflects, and reveals itself — a visual statement of presence multiplied.

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Blonde Is Political (27).jpg
Quick View
Bodies That Move At Once.
$655.00

Bodies That Move At Once arranges a single figure in five repeated stances across a vivid yellow field, turning uniformity into rhythm. The blue shirt, cheetah skirt, and orange background creates a bold visual cadence, while the white gesture above introduces a burst of expressive motion. Through repetition and color, the piece transforms a simple pose into a powerful statement about presence, identity, and the insistence of being seen.

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Duality.
Quick View
Duality.
$655.00

Duality presents a mirrored figure standing against a vivid blue field, their gray sweater and red pants forming a sharp, graphic contrast. The symmetrical composition turns a single subject into two, creating a visual tension between individuality and reflection. Bold, minimal, and intentional, the piece explores how identity shifts when seen from more than one angle.


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Blonde Is Political (15) (2).jpg
Quick View
Worn Defiance.
$655.00

Worn Defiance presents a bold figure set against a vivid red field, their yellow hair, blue top, and patterned skirt forming a striking visual contrast. The stylized portrait blends fashion and attitude, turning clothing into a language of resistance. With its graphic simplicity and unapologetic presence, the piece embodies defiance worn openly, confidently, and without apology.

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STORE.

Shop
Shop

Art represents the boundaries of life. Different forms, shapes, elements, and colorS MAKE art mysterious and quaint. Create art for yourself, not anyone else.

Past Projects.

CONTROL.

A person dressed in a black pinstripe suit with their hands crossed over their chest, wearing a white head wrap, and lying on the ground with a teal background. Brightly colored geometric shapes surround them.
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SURREALISM COLOR.

A person with pink curly hair and dark skin, wearing black glasses with eye designs, is posing with crossed arms against a yellow background.
View More
View More

FILM/VIDEOS.

Featured
Urielle.
Urielle.

“Urielle” is a hyper-expressive video that presents dynamic posing, abstract manipulation, and highly saturated imagery. “Urielle” uses crazy vibrant colors that challenge what is beautiful, while taking control of the narrative and being part of the movement.

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Control.
Experimental Films
Control.
Experimental Films

Do I have control? Am I free to express myself?
I hope to be liberated — for my people to be liberated — to live in a radical space of harmony, to dance freely, to challenge the norms of existence, and to create the reality I want.

Dance the fuck off.
Create the fuck off.
Walk the fuck off.
Be who the fuck you want to be — without restrictions and without regrets.

Control your narrative.
We have control over who we are, and we must never neglect that part of our identity.

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Experimental Films
VIEW FILMS/VIDEOS

EXHIBITONS.

Featured
Expressionism Is Power.
Jun 11
Expressionism Is Power.

Expressionism Is Power centers identity, autonomy, and the politics of self‑presentation. Through bold colors, text‑driven compositions, and stylized portraiture, the exhibition frames self‑expression as resistance.

Read more →
Breaking Into My Skin.
May 15
Breaking Into My Skin.

Breaking Into My Skin is a powerful invitation into identity through raw and evocative portraiture. This exhibition follows the journey of a young man striking to leave a lasting imprint. It’s more than just an exhibition—it's an introspective testimony urging you to delve, interpret, and connect. Each image captures vulnerability, resilience, and even evolution of becoming, inviting viewers to reflect on their sense of identity.

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Past/Upcoming Exhibitions

INTENTIONAL CHAOS AND DISASTER.

INTENTIONAL CHAOS AND DISASTER.

INTENTIONAL CHAOS AND DISASTER.

INTENTIONAL CHAOS AND DISASTER.

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“Be yourself. Don’t let yourself get caught in a vortex of validation and opinions. Always remain your true, authentic self, because that’s what others want to see—not a generic phony.”

-MEZ WILLIAMS

I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. 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I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. I DO NOT FIT IN. -MEZ

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